The Ballet de Catalunya goes into Spain in La Mancha, Aragon and in the Catalan capital, Barcelona. All of them are scenarios of one of the most charismatic works of Spanish literature, converted into one of the classics of the repertoire and in which the ballet is impregnated with a great folklore wealth, where the festival of the taverns and their families abound great hidden passions
Under the artistic direction of Elias Garcia, Don Quixote of the Ballet de Catalunya is adapted in a format with its own personality. Garcia have wanted to condense history with dance as the main axis and engine of the whole plot that, in itself, is already easily intelligible, but at the same time making use of new and original resources that allow to situate the ‘spectator at all times.
The Work is presented in 2 Acts, instead of the 4 that originally form it. The adaptation made by the artistic directors wants to cover a wide range of audiences and that they do not necessarily have read the work of Cervantes nor know the choreography of Petipa in which the Ballet of Don Quixote remains even to ours days from his first appearance in 1869 at the Imperial Theater of Bolshoi. The Ballet de Catalunya shows a version that, unlike the original production based on the libretto by Marius Petipa, is developed in a particular environment while also counting on the presence of carefully selected texts that offer a faithful reading of this wonderful story using a voice of luxury, such as that of Joel Minguet, an actor who has given a personal reading and at the height of the circumstances.
CHOREOGRAPHY
Elias Garcia Herrera & Larissa Lezhnina after Marius Petipa
MUSIC COMPOSER
Ludwig Minkus
SET DESIGN
COSTUME DESIGN
Martina Montorfani, Maffera
LIGHT DESIGN
Jaume Cañasveras
ADDITIONAL CHOREOGRAPHY
Xavier Bagá
PHOTOGRAPHY
Josep Guindo & Sila Avvakum
GRAPHIC DESIGN
Leo Sorribes
Act I: 50 minutes
Interval: 20 minutes
Act II: 40 minutes
TBA
To be announced
TBA
Ballet de Catalunya: ’10 Points’
Astonishing in its ballet execution, dedicated analysis of Petipa’s variations, and its emphasis on the male cast, the company even showcases excellent synchronization in this Don Quixote.
Maricel Chavarria
La Vanguardia
Ballet de Catalunya Triumphs with its ‘Don Quixote’
The great anticipation surrounding the premiere of Don Quixote by Ballet de Catalunya during the Dansa Season in Terrassa led to the addition of an extra performance to accommodate the high demand for tickets. Even so, the box office saw long waiting lists of audience members hoping for last-minute cancellations.
El País
A Vibrant ‘Quixote’ Full of Youth
The synchronization in the group numbers was impeccable—something that many of the numerous Russian companies visiting with lackluster and disjointed productions could learn from the Catalans. What truly stands out in this version is the great enthusiasm radiated by the dancers.
Valeria Gaillard
El Periódico
Photos by Sila Avvakum @silaavvakum & Josep Guindo @josepguindo
This ballet includes an audience education program (Educa Pre-performance). More information available HERE.
Don Quixote is one of Marius Petipa’s much-loved 19th-century classics – its story is drawn from Miguel de Cervantes’s classic novel and set to Ludwig Minkus’s score. The ballet has long been acclaimed for its virtuoso dancing, beautiful and technically demanding ‘vision scene’ and the famously bravura and breath-taking Act III pas de deux.
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